Now comes the core part. When working with wood, you have several options. To achieve the paneled look with long beams running vertically along the wall, you should use solid wood. It’s more expensive and gives a more handmade look, like the “lunch box” effect Busch mentioned earlier. But solid wood doesn’t make sense in every situation. If you want to wrap cabinets or use wood on surfaces that aren’t perfectly flat, thin-cut wood veneer is the best choice. It is more stable, can be curved in radius, and has more finish and grain options. As Busch explains, “It’s typically used in more urban settings.” For example, in the sophisticated Los Angeles home we designed for our client, we used elegant vertical-grain mahogany veneers in the living room and study.
The walls in designer Giampiero Tagliaferri’s Los Angeles mansion, built in 1939 by architect E. Richard Lind, a disciple of Rudolf Schindler, are original sequoia panels in a checkerboard graphic pattern. Covered.
sam frost
AD100 talent Oliver Firth used a combination of solid walnut and veneer for his kitchen cabinets, walls, ceiling, and bathroom in his Los Angeles home. “For me, using the same material on different surfaces felt contemporary,” he explains. “We have a lot of walnut trees on our property, so that material felt authentic to our property.” But it’s a landmark he renovated for artist Mary Weatherford. He has also explored projects such as A. Quincy Jones’s house, which is entirely clad in plywood, or the rift-cut white oak wainscoting and bookcases he is creating for a Beverly Hills library. It is also a concept. “In the current climate of fast-casual, instant influence, and TikTok fantasies, people are craving authenticity and connection to nature,” he muses.
In Oliver Firth and Sean Yashar’s California Canyon home, the bathroom is clad in walnut paneling and includes a folding walnut and leather bathtub cover.
Yoshihiro Makino
Built in 1915 and decorated by the AD100 company Commune, the interior walls and staircase of this Northern California home are made of redwood.
Trevor Tondolo
You can’t talk about wood without mentioning AD100 company Commune. The company’s offices are entirely covered in Douglas fir panels. “Wood-covered interiors have always been meaningful to us,” says co-founder Roman Alonso, who has also worked on projects such as a Santa Cruz beach house lined inside and out with locally salvaged Monterey Cypress. , listed gems such as historic off-grid cabins. Angeles National Forest with knotty cedar and white oak. Alonso admits that client requests for this style have increased recently. “It seems to be tied to a desire for warmth and coziness. It’s a response to the all-white and beige luxury that’s trending in interiors these days,” he reasons. But some of it is just natural, he says. “Many of our projects are along the California coast, where wood makes sense. It feels like it’s been there forever and ages beautifully.”
Designed by Electric Bowery’s Kayley Lamber and her husband Kyle Brassman, the Big Sur weekend retreat was built by legendary California coastal architect Mickey Munnig and features clear vertical grain vintage wood with square edges inside and out. It is covered with raw redwood. The photo is of the bedroom.
Chris Mottarini
This Parisian pied-a-terre private living room by AD100 designers Louis Laplace and Christophe Comoy is clad in stained oak with a lime finish.
Alice Mesgich
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